A former Yugoslav resistance fighter, Gregor Zidar, resurfaces in his old village in 1986, where locals have long believed him dead after his heroic act of saving hostages in 1944. Instead of gratitude, he faces cold suspicion and outright rejection.

On a lonely country road, James Mangan hears a voice from his past and comes to realise he is damned.

Clueless on a gruesome case, a skeptical and lonely policewoman in a small village, is guided by a newly arrived clairvoyance gifted boy, who claims that the murderer is the Virgin Mary.

The discovery of a human skull fragment plunges Gregor into a hallucinatory thriller blending violence, power, and extreme fantasies...

Gregor is a rudderless mid-20s man with a CV thick with short-lived experiences and thin on worthwhile experience. On his way to a party he meets and bonds with Terry, an articulate magazine editor, weathered by the 1990s. At the party Gregor meets Amber, a transatlantic trustafarian who struggles to mask her liberal guilt with pro-bono 'activism.' With Terry offering him a job and Amber offering both material and physical indulgence, Gregor thinks he's landed on his feet...but he hasn't. 'Gregor' is a black comedy where nothing is resolved, no lessons are learned and focusing on a generation who feel they should be able to do anything by right and end up doing nothing by default.

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Death as non-existence, non-being, or the absence of life has been a subject of human interest for millennia. Poets, philosophers, prophets, and hermits have now been replaced by filmmakers, influencers, cryonicists, and evolutionary biologists in the search for the quintessence of life and death. Zoltan Istvan runs a cryonics laboratory and is running for president of the United States with the demand that immortality be included among fundamental human rights. In Russia, a mass festival dedicated to the cult of death is traditionally held. Dāvis Sīmanis' film essay reveals the twists and turns of man's age-old desire for eternal life. It uncovers the metaphorical and fetishistic representations of death and the mechanisms by which we come to terms with our own mortality.

The story of Johann Gregor Mendel briefly and entertainingly encompasses his entire life from childhood to the autumn of life: all the pitfalls and peripeties fate has prepared for him, his father's death, monastic service, and above all the basic discovery of the laws of heredity he made while crossing pea lines. When his contribution was misunderstood by his contemporaries, Mendel turned to a number of other natural sciences.

8岁便开始支撑家庭，为无声电影演奏。皮雅蒂戈尔斯基15岁成为了莫斯科大剧院的首席大提琴手，并结识了列宁。作为一位技艺精湛的大提琴家和讲故事高手，逃离苏联的经历让他成为了一位英雄。1939年，他逃离欧洲，成为了一名美国人。《大提琴家》这部作品展现了他的音乐才华、智慧和人性。

Gregor, a young man, lives with and cares for his elderly grandmother. He's also a bit of an inventor. One day, when her wheelchair accidentally rolls down a hill and throws her into a pond, he gets an idea for an invention: A harness system that will let his grandmother walk again by supporting her weight. Meanwhile, her friends from the nursing home are trying to convince her to leave Gregor and live with them.